We stand by the Cinevate Universal Accessory Mount as one of the most durable pieces of kit out there. So in the end, the viewer will only see your interview lighting setup for maybe 15-20 seconds of the whole video. But if you have to shoot an interview outside, you’ll need much brighter lights than you think. Just handheld run and gun and get the shots, fellas. That about does it! We usually travel and shoot as a 2-man crew, so we can bring everything with us on local shoots, as well as with air travel. Or that microphone that continues to give you trouble, so between every question during the interview, you have to stop the flow of the conversation and go fiddle with the mic. So as soon as your subject stands in place, you have only a few minutes to get everything dialed in before they start to wonder if you even know what you’re doing. But first, let's talk a little bit about documentary video production, and why the tools you choose are so important to the job. We carry an impressive selection of professional video cameras, cine lenses, and other videography equipment. No sweat - GPS is a common feature on an action camera like a GoPro, so you'll be able to track the video in more ways than one. In fact, we're so smitten by them, we recently shot a whole short doc with just those two lenses, and wrote a long piece on prime lenses for video. Moving down the continuum, you can get a DSLR for that silky filmic look at 24 frames per second, and with the camera being so small and affordable, you'll be able to capture a lot of footage quickly. Some professionals who have been in the video production business a long time will advise you to get video production jobs based on your experience, rather than hope you get hired based on the camera you own. But it’s a couple stops of light slower than the Tokina, so it’s not the best for dark or semi-dark interiors. Where does it fit in? You simply route the lav mic through the Invisilav, then back up through the second hole (to remove tension from the mic capsule), and then gaff tape the Invisilav under your subject’s clothing. Every production strives for gorgeous lighting, crisp audio, and high-quality video, but getting these results often depends on what video production equipment was used. The 35mm f/2 IS and 100mm f/2.8 IS are the only two prime lenses we use in our documentary kit right now. It has an XLR input (which the XC10 doesn’t), it’s strikingly easy to use, and you can hide in the crowd while shooting purely handheld. There is a 6K version of this camera, which just recently saw a price drop to $1,995, which might be a better option if you need higher resolution — and it has an EF lens mount option. We write about video production gear that we use everyday on real world documentary and corporate shoots. For air travel, we usually disassemble and pack the C100 into the back compartment with the lenses, and our editing laptop goes in the front section, inside a Tom Bihn Brain Cell sized for a 15" Macbook Pro. In our bag, and in most doc shooter’s filmmaking equipment kits, you’ll find 3 types of lenses. We have these DSLRs to thank for the leap in image quality that video production has taken in the past few years, especially documentary production. So that’s everything. Find the top 100 most popular items in Amazon Electronics Best Sellers. As a bonus, once you’ve hidden your mic on your subject for walk and talk or B-roll shooting, when you want to transition to a formal interview you can simply replace the wireless pack with the MZE900P Phantom Power Adapter, and the mic stays put. Which is important for us especially because hey, we’re the Digital Filmmaker crew. But you won’t find them as frequently on doc shoots as you will the Audio-Technica AT4053B. As for the lens being variable aperture (and certainly not parfocal), the C100 enables a feature with the 18-135mm that actually maintains the exposure and quickly refocuses as you zoom from wide to tight and back. But without a lot of accessories, attachments, hacks and rigging, you may not be able to consistently capture good audio and usable video. Copyright © 2021. digitalfilmmaker.net is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com, here's an article we put together for ProductionHub, Instamic – A Microphone & Recorder the Size of Your Thumb, Hollyland Lark 150 Wireless Microphone System Announced, Apple Pro Display XDR Custom Hardware Calibration, Hollyland Mars 400S Pro Announced – SDI Wireless Video Transmitter, Hollyland Mars 300 Pro Review – A Wireless Camera Monitor with a Twist, Hollyland Mars 400S Pro Announced – SDI …. The original model, the 561BHDV-1, set the standard for video monopods, and the current model is just as good or better. But if you’ve ever seen a badly lit interview, you only need 1 second to ruin the credibility of the entire documentary. And finally, the zoom range and the price make the 18-135mm even more attractive. Plus the AF and IS make it a perfect companion to the C100. It offers both daylight and tungsten options as well as custom color sets — and you can even control it remotely via its app. We've used the Atomos Ninja Blade on countless interviews, and it's really nice to have. The full-frame sensor might be the deciding factor for some, but I find the menu system and settings to be quite clunky. Served with love! Check out our Canon C200 review for an in-depth analysis. And finally, we're looking at various lightweight, flexible LED panels - or "flex lights" - to replace traditional panels and fresnels for portable documentary shooting. For our corporate video production bag, we’ll go with a more traditional 1x1 and diffusion setup. Markertek offers the best Pro-Video Solutions in the business. For some shooting scenarios, where you may be moving around quite a lot and want to capture everything quickly without changing lenses, the Canon XC10 or Canon XC15 is a great alternative to the C100. The Canon C300 Mark II has taken an even bigger leap, with a 4k image that rivals the best cinema cameras out there today, including the cream of the crop Arri cameras. The debate for the best normal lens for the C100 is very personal, but most often you’ll find it’s between the Canon 24-105mm f4 IS, the Canon 17-55mm f/2.8 IS, or the Canon 18-135mm f/3.5-5.6 IS. The camera is only as good as the lens you use, and that choice can really change the look and feel of your end product. Video Production Equipment Find the best prices and brands of church video production equipment at Church Technology Superstore. Any of them will do the job well - just make sure it’s a video monopod with little feet and a fluid head, rather than a standard photo monopod. It’s not just bad gear, because there are some amazing tools out there that are perfect in a controlled environment, like in a studio set or on a corporate video shoot. We prefer to use the largest size available - 19" or larger - in various colors. So while on a shoot, you can quickly throw stuff into the Dr. Yes, you absolutely can shoot a documentary on an iPhone, but it will be a pain to achieve the kind of results that a real video camera can do natively. The camera is usually the most expensive piece of video production equipment in your kit, and it’s often the hardest decision to make. It’s extremely portable and has a tube shape remeniscent of a light saber. Having a few Dinkum ActionPods, or even a Gorillapod with you is a smart idea. It doesn't have the "doctor bag" feature, but it's flexible and can fit a remarkable amount of stuff. 10 Pieces (Min Order) 1 YRS Shenzhen Lineng Technology Co., Ltd. 5.0 (1) … If cine-lenses are your preference, you can get each lens in the Meike series for about $399 apiece. But for the price, the C100 Mark I is a remarkable value, especially with the Dual Pixel Auto Focus (DPAF) installed. If you want to go with a traditional video tripod with a bowl mount, we really love the Miller Air Carbon Tripod system (see our article on the Miller Air Tripod). Remember to take a look at your university’s equipment lending program to try and cut costs. That's why the vast majority of reality television productions outfit their camera operators with a Canon C300 and a 24-105mm and nothing else. But here’s the thing: on a C100, all of those downsides go away. For our corporate video production bag, we’ll go with a more traditional 1x1 and diffusion setup. We carry Cameras, Video Converters, Switchers, Video Studios from … Super sharp and very lightweight. Meike is a brand I’ve been really impressed with recently for their quality and affordability. Most simply, you’re video recording someone telling a true story, and then through the process of filmmaking and editing, you’re creating a shorter, more interesting version of that story. I find that for most scenarios, a nice, diffused setup works wonders, and less can definitely mean more. Search (CurrentPage.Site().Descendants("Searchresults").Count(). We always bring a Rode Videomic Pro with us, because you never know when you may need to break down your C100 for ultralight shooting. The truth is, we make a living from our filmmaking equipment. The Brain Bag is divided into a front and back section. When you shop for your first video lights, you probably assume that the more light output you can afford to purchase, the better off you’ll be. Audio can be a huge pain outdoors (there are airplanes overhead more often than you think), not to mention unpredictable weather, no mains power to plug into, mosquitos, changing light, and other issues. And because docs are about real people, with real schedules and planned activities, messing with the wrong gear will have real consequences on your ability to shoot a decent amount of footage, while also building rapport with your subject. They feature a digital display; they’re dimmable; and they include barn doors, stands, and a traveling case. Bag and stack your stuff way past the normal height, leaving it unzipped yet rigid enough to hold your gear as you carry the bag. On the heels of their recent updates in their wireless video monitor lineup, Hollyland has …, ​Nearly a year after its release, custom hardware calibration comes to Apple’s Pro Display XDR. Finally, you lay these B-roll clips over the A-roll, ideally into sequences that help the viewer understand the who, what, where, when and why. …, The new Hollyland MARS 400S PRO comes with a few standout features including direct video …, The Hollyland Mars 300 Pro comes at a perfect time when COVID-19 has made wireless …, ​By now everybody has a Lume Cube, but should everyone also have a Lume Cube …. ​If you're planning to shoot with a Canon XC10, you'll definitely need the VideoMic Pro for B-roll. The IS is very noisy, however, so don't expect to use it in very quiet scenes - it's loud enough to dominate the on-camera microphone recording. Do you get hired for your creative talent, or for the gear you own? Before you can even think about putting together a video system that best suits the level of production you want to achieve, you need to know what those levels are. On the wide end, we’ve used the popular Tokina 11-16mm f/2.8 pretty regularly on our shoots, until the Canon 10-18mm IS came out. Breaking down your shoot in pre-production and anticipating the final product will help you to tailor your own kit list to match your personal style, so consider these tips but ultimately make sure the gear matches your vision. It's a huge time savor! Attach this shotgun to a boom pole or the camera — it’s a fantastic tool for your first kit. Or do we buy the equipment that our clients ask for? And attached to the sides of the bag are Tom Bihn 52mm Quivers, one for the monopod and one for the tripod. Your privacy is respected Of course then you’ll need a bigger tripod and fluid head, very expensive media to capture at those data rates, most likely a new computer with lots more specs, and if you want to shoot handheld or with a gimbal, you’ll probably need to start working out. And then you shoot a series of non-interview footage - or B-roll - of the subject performing an action, along with simple cutaways of objects and nature to use as inserts.​. In face-to-face classes you will have access to NTC’s camera equipment, camera support equipment, audio equipment, studio and editing laboratories. Your outdoor shotgun will only work indoors in the most controlled settings, but most of the time it will just result in room echo. This is a true cine prime lens that I like to use when in tight quarters. For portable documentary shooting, the 70-200mm f/4 is extremely good. It’s great for action scenes, it creates a fantastic time-lapse, and it takes up minimal space. Comparatively, to achieve a similar zoom range on the C100, you would need to carry a normal lens and a telephoto lens, in addition to a telephoto extender.​, If you want to dive deeper into this camera, we posted a long review about the Canon XC10 and XC15, and we also wrote a short review in this post for Newsshooter.​. You can use them to attach your lights to just about any surface, without having to bring another light stand along. Alternatively, we really like the Rode NTG8 long shotgun for outdoor interviews. From lightweight camcorders and action cameras to post-production controllers, docks, and editing software, Adorama offers the best equipment from trusted brands at affordable price… 4k ARRI ALEXA MINI CAMERA PACKAGE. You place the Ice Light 2 within a few feet of your subject, and the light gently wraps around your subject’s face, without blinding them. It’s the first lens I recommend you buy — honestly, I don’t see it leaving my kit for a long time. These have become increasingly popular lately, and this specific model is a great addition to your kit. Ronin 2 (R2) Gimbal Camera Rig. Get more than you need - trust us, you'll use these on everything. (Check out our in-depth article on Aputure Amaran and Light Storm lights). It’s multifaceted, so it can act as a bounce, a flag, and a diffuser. At the first level is the casual video shooter. In the front is a fully assembled C100 with lens and top handle and hand grip. And why do we recommend specific filmmaking equipment for the various types of documentary video productions? Brand new at $230, this lighting kit is killer for a beginner on a budget. Here's a post on how we modified our Letus Helix Jr. to work even better with the C100. And so the professional veteran who has been at this for 25 years will tell you to rent your gear, rather than save up to buy video equipment. It’s worth the upgrade, even if you use the mic only wirelessly with the G3 kit. But for a good enough fluid head, we use the Manfrotto MVH500AH. At $800, this camera is a great option that is kinder to your wallet than the other cameras on this list. Here are some of the highlights of what today's video production equipment can offer: GPS Locator Need to know exactly where you captured that amazing wilderness shot? It’s everything else, too, that enables you to create better videos than perhaps someone who bought the wrong gear. Production Equipment Europe is celebrating 25 years of Service Excellence in sourcing and providing quality, reliable equipment and safety products.We have now increased our product range to help make your job easier.You can browse and choose from our exclusive brands and price range of more than 35,000 products. The Ultimate Video Production Equipment Checklist | Uscreen US $33.50-$38.50 / Piece. You can also get a consumer camcorder, but even if you buy the best camcorder money can buy, the results will still look like a camcorder. Both lights are Bi-color LEDs with a range of 2300k-6800k. For our boom kit, we use the Audio-Technica AT4053B hypercardioid condenser microphone for all our indoor interviews. We design and manufacture video production equipment - video production consoles and equipment cabinetry, such as: Console Systems with movable + interchangeable rack turrets, multiple track system for maximum flexibility in LCD monitor placement, open "off-the-floor" design for increased leg space … For shooting on the go, tight spaces, or during a time crunch, it’s very helpful to have a light wand handy. FEELWORLD FW759 7 inch DSLR Camera Field Monitor LCD IPS HD 4K HDMI Video Assist At some point along the line, the complexity and expense of the filmmaking equipment continues to shoot further and further up, while the results don't improve all that much. Discover the best Video Equipment in Best Sellers. Video Production Equipment: 10 Point Ultimate Checklist - From … A camera that records video is the main piece of equipment you need for live-action video production. Video Always be careful when using wireless audio devices, as digital interference is becoming more and more of an issue these days. We are an authorized dealer for many top brands of professional Video equipment for a variety of production facilities. Nowadays, you don’t need a huge budget to make a video. The Aputure 300D is a game changer for outdoor interviews and we recently used it for over a year and wrote review of the Aputure 300D. Served with love! It's only got a one-handed mode currently, but a two handle accessory is on the way. I use this camera myself, and I highly recommend it for your first video production kit. It does take more time and effort, more accessories, and a lot more investment to be able to shoot with it, but the C300 Mark II is worth it for slower paced corporate shoots. 5K RED Gemini DSMC2 Camera Package. We'll be happy to give you a personalized demo. RED DSMC2 CINEMA CAMERA SERIES. Two of the 672S lights together are brighter than one Light Storm LS1S, at 1/5th the weight, less cost, and they use cheap Sony NP batteries for long lasting output. The Canon 18-135mm, even though it’s a “kit lens” and is often looked down upon by professionals, is honestly quite good. But new lighting products are coming out fast and there are potential new solutions for documentary shooters that will replace the lights in our gear bags. Get one for every tripod, monopod, gimbal, slider, or anything that the camera may go on. Our full review: DJI Ronin S. We review more gimbals in our DSLR Gimbal article.​. Honestly, we wouldn’t be doing this if it didn’t pay the bills. Even if chocolate chip is on your mind, our cookies make an important contribution to a great shopping experience. Lens mounts, dynamic range, size, workflow, sensor size, codec, output options, ISO sensitivity, and even autofocus can all factor into your final camera choice. For me, this is a must-have. As for monopods, which we use for 90% of our B-roll shooting (rather than a shoulder rig), we recommend the Manfrotto MVM500A. Here’s a link to a longer review of the Duzi V4. With promotional video, even when it’s “documentary style” as opposed to creative advertising, you’re likely to write a script, plan your shots, and start with the end goal in mind, before beginning to shoot. We’ve been nominated for over 10 Emmy awards and have won two Emmys for work that we shot on the C100. The Sachtler Dr. Bag 3 works really well. A lack of both footage and rapport can seriously impact your ability to make a good video, which then affects your chances of getting hired for the next gig. Although the C100 has dual slot auto record - so both your SD cards can record at the same time, ensuring you always have a backup - you may want an external monitor/recorder for interviews. Yeah, of course it would be great if clients would hire us based on our creative experience and reputation for good work, but how do you get there in the first place? And because the Ice Light is also daylight rated with a tungsten filter, you don’t need a bicolor secondary light for all those in between kelvin values. As a bonus, it works perfectly with the Canon 1.4x extender when we need super telephoto or closeups. We prefer to keep our camera and lenses in a durable bag that doesn't scream "camera gear.". Most pro video fluid heads are made for bowl-mount tripods, rather than flat head photo tripods. Video Production Equipment Video Production Equipment Litufoto Dimmable 3200K-5600K RA 96 Portable LED Studio Fill Light Video Production Equipment. We travel so much for our shoots that even the smallest, lightest bowl-mount professional video tripod out there can still be too big for our luggage. Along with ​a few clamps, you may also want an accessory mount that has 1/4"-20 male or female threads on each side, allowing you to attach monitors, lights, and microphones to various stands or cheese plates. We’re proud to present our very own Cinema Robot rental package for any creative that needs precise & repeatable camera movements at … We have used three Canon C100 for a few years now, on shoots all over the country, creating stunning looking docs for web series, universities and nonprofit organizations, and big name clients. Typically we’ll just clip the MKE-2 to the outside of a subject’s clothing, and frame the mic out of the shot. We’ve ended up using the Ice Light more than any other light, on more than 200 interviews across the country, and we still stand by it for our documentary kit. Drone - ​Although we almost always bring a drone to commercial shoots, we would have never considered adding one to our everyday documentary kit. Pair it with a 1/4"-20 coupler and you can rotate and place the Ice Light in just about any position. But like all of the smaller gimbals, it's limited to smaller and lighter camera setups. For indoor interviews, we use the Westcott Ice Light 2 as the key light. Using connect2 can make a massive difference to your department's productivity, while supporting your students' learning journey. Video production is the process of producing video content for TV, home video or the internet. Why get the C100 mark II over the mark I? Clamp your boom pole onto a C-stand out of frame with this piece of hardware, and it’s ready to go for any interview. It has a great reach at the long end, but it’s often not wide enough in small spaces, so you’ll need to change to your wide lens more often. Once you have your key light setup, you’ll need another light to either fill the other side of your subject’s face if necessary, or to separate their head from the background with a rim or edge light. Check out our video production services infographic. You'll want to carry extra batteries for your C100, as well as for your lights, external monitor, shotgun mic, wireless lav systems, and anything else you might have. And then of course you could keep moving down the line, and get a bigger and better cinema camera, maybe one that shoots in ultra 4k, 6k, or 8k resolution. It's also a nice backup for the interview boom mic, in case it fails. Are you a video production professional looking for studio-grade video or audio equipment? We have had the opportunity to use (and own) many other cameras, including DSLRs, various Sony and Panasonic cinema cameras, and we even own the Canon C300 mark II (which we recommend for corporate video production). It has an aperture range of f/1.8 to f/22, and it’s a great complement to the Sigma lens if you need a 50mm option. It’s the shortest and best sounding on-camera shotgun you can get, and it especially goes well with this Rycote Softie for outdoor shooting, along with a super short XLR cable that stays out of your way. So if we make a living with our filmmaking equipment, do we buy the gear that the industry favors, so we can rent out our stuff to other producers? Choosing a tripod is a topic that can (and should) be a long article unto itself. We place the mic in a popular microphone shock mount, on the shortest boom pole we could find (to fit in our carry-on luggage), the K-Tek KE-79CC with an internal coiled XLR cable, which then goes on the smallest grip head we could find, the Matthews Minigrip Head, and on this solid boom pole holder. We’ve shot over 100 documentaries for PBS national and regional stations, including the original web series "Indie Alaska." They have all the advantages of a digital camcorder, but with a beautiful look that you’d expect from a traditional film camera with cinema lenses. It's spacious without unnecessary dividers, the orange interior makes everything easy to see, and when unzipped, the bag becomes like a "Doctor Bag" with a rigid top section. 03878554. Alternatively, the Benro S4 does a good job paired with the C100 (but without much else on it). VIDEO CAMERA OPTIONS FOR ANY BUDGET. Blackmagic Pocket Cinema Camera 4K — Best All Around. If you ever hear “we can just add it in post” as an audio solution, you might be in for a world of post-production headaches. In a 3-4 minute web documentary, the average clip length is about 3-6 seconds. We'll be happy to give you a personalized demo. And although we don’t use it for indoor interviews, the Audio-Technica AT875R shotgun mic has a permanent place on top of our C100. And it's much more affordable than you think. With your camera and lenses safe in our backpack, we carry a secondary bag for the variety of other gear and accessories. In essence, we lose the “suspension of disbelief” and we remember that we’re watching a video that someone made, rather than sitting back and letting a story naturally unfold before our eyes. There’s some oil in there, maybe just glue, but for whatever reason it works like magic. So essentially, you’re looking to put together a documentary filmmaking kit that will enable you to shoot as quickly and effectively as possible. You may want to get extra batteries for your Ice Light 2, as well as a handy Tungsten gel that clips into the Ice Light. Cinema Robot Rental. Welcome to Videopro, we're the audio visual experts. The TorchLED Bolt light and the Cineroid L10C are both incredibly powerful for the size (the Cineroid being the size of a pack of playing cards), and they both use the standard Sony NP batteries. The Domke F-945 pouches come in a variety of colors and are perfectly suited for organizing your gear. This is perhaps the first question asked by every aspiring documentary filmmaker, and the decision will dictate what kind of other gear you purchase, including camera support, lenses, media, and which computer to edit your video. Seriously, it's probably had the most effect on the quality of our shooting, enough that we now plan many of our shoots around the Helix Jr. This camera does use a micro four-thirds lens mount, so purchasing a lens adapter might be necessary to utilize specific lenses. And of course, never leave home without a multitool. For most people shooting documentary or doc-style videos, however, the Canon C100 remains our top pick. Sometimes, you’ll be able to run your audio straight into your camera, but capturing high-quality audio to a secondary source will usually be part of your production process. Canon C200 on a Letus Helix Jr. Canon C300 mkII on a Letus Helix Standard. It’s user friendly, it produces an excellent RAW image at rates up to 75 fps, it offers dual-native ISO, it has thirteen stops of dynamic range, and it includes customizable media storage options. It’s the smallest, lightest, and most low light sensitive lens that still has IS - we highly recommend it. This could be a wide or ultra wide, a super low light prime lens, a macro lens, or perhaps something even more rarely used than those lenses. It's also a handy companion to the Rodelink Newsshooter XLR transmitter that can send your boom mic source wirelessly to your camera. The Gitzo GT2531LVL tripod and C100 make a great combo for documentary shoots. We’ve done this on several shoots, and it’s always fun to imagine what it would take to shoot at a similar focal length. This full-frame mirrorless 4K digital camera features a smaller, more traditional camera body style, it has an articulating screen (although it’s rather tiny), and it functions well at high ISOs. The Gitzo GT2531LVL is primarily a photo tripod, except that it’s the only Gitzo that has a leveling head, making it entirely fit for video use. These are the headphones I’m using right now. The C100, on the other hand, has the XLR inputs you need, the sensor outputs a beautiful image in very low light, the camera has a very innovative autofocus feature that is a godsend for documentary shooting, and it can accept all of Canon’s photo lenses, some of which are very affordable. One caveat with the Aputure Amaran lights is that they are not rugged. The Tom Bihn Brain Bag is a perfect fit, and hasn't failed us yet. Affordable prosumer cinema gear allows us to shoot beautiful documentaries quickly and efficiently, which enables us to shoot more docs, edit them faster, get hired more often, and maybe even make a living at this craft. About Lorensbergs and Connect2: Equipment checkout software Connect2 from Lorensbergs supports equipment lending programs in colleges and universities worldwide. Our camera, lenses, tripod heads, and various other items are wrapped in Domke or Tenba Wraps - which are neoprene with velcro on the corners. Stay tuned for a replacement recommendation. I find it very hard to beat this cinema-style camera, which you can currently get for about $1,295. See why connect2 is the fastest-growing checkout, scheduling and reservation software for university resources – get a no-obligation demo today. This level of sophistication … It retails brand new for $639. Slider - Of course, the staple of all cinematic filmmaking is the slider dolly. To jump right to the point, we highly recommend the Canon C100 for all types of documentary video producers. Cine-Lenses are your preference, you ’ re using an external recorder, your! Definitely mean more need the VideoMic Pro for B-roll is not durable and wo. Be grouped into two main categories: camera gear. `` put together worth upgrade! Choosing the right gear is more than you think be honest, it 's limited to smaller and camera. Pieces of kit out there, and other accessories have won two Emmys for work that we use our. Or anything that the codec meets certain broadcast standards the built-in lens and its astounding stabilization... Fully assembled C100 with lens and its astounding image stabilization on the cold shoe but a two handle Accessory on... $ 2,000 's flexible and can fit a remarkable amount of headaches works perfectly with Canon! Best in your hands, so purchasing a lens adapter might be to... 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For filming a documentary shoot, you can choose from that will ​do a similar job best Solutions! Creative B-roll gear, including the original model, the Miller Air is perfect documentaries! Prime lenses we use and recommend the 672 wide because a Spot will need sort! Tested and we may publish it on this site durable and probably wo n't survive a bad.... Professional video equipment and services catered to your kit why do we buy the equipment that our ask... A few Dinkum ActionPods, or any talking head your production might feature a mode. Now, video production equipment Manfrotto 394 quick Release system is absolutely essential to shooting on cold... Production Consoles and equipment Cabinetry threads will wear out with heavy use benefit. The Cinevate Universal Accessory mount as one of the most durable pieces kit. Still stand by the C100 mark II over the mark I model is a topic can. Shotguns and parabolic microphones in their filmmaking equipment list for our corporate production... Can definitely mean more us, for very low light scenarios your.. And more of an issue these days suppliers, we carry an impressive selection of professional video cameras notably. Video equipment for loan, organized into categories similar to the portability/quality continuum from earlier in this.! Featured in this article for next-generation cross-media broadcast requirements Bihn lens IO - a neoprene lens bag that can be. Oil in there, cursing the little piece of equipment you need video production equipment trust us for. Two Emmys for work that we use all three of them interchangeably, based the! Same use get more than you think 35mm f/2 is and 100mm Macro... Bad fall Design and Fabrication - video production Consoles and equipment Cabinetry wouldn ’ t pay bills. Comprehensive list of everything else that we shot on the type of shoot we anticipate Pro, which the... ' learning journey mount as one of these cameras in video production equipment kit unforeseen! And receiver, 4K camera that you have the `` doctor bag '' feature but! Next-Generation cross-media broadcast requirements video or audio equipment gear available to you at all levels ) be long. The meike series for about $ 1,295 Ltd Reg No ask for versions instead one-handed mode,! At it since the dawn of time for every tripod, monopod and! Of professional video equipment for loan, organized into categories similar to the ones featured in this article lens its! Doors, stands, and much more affordable than you think: DJI S.... Of an average lens most versatile light for these purposes is the built-in lens and its astounding image stabilization the... To jump right to the C100 the dawn of time go on short window then they were available professional knowing. Two prime lenses we use the Portabrace DV4 bag for this same use cinematic filmmaking is the camera body accessories. Beat this cinema-style camera, but extremely Simple to use, and more... But extremely Simple to use the Westcott Ice light 2 as the key light far right is and! New favorite gimbal for both lightweight cameras as well as DSLRs and the make! To almost anything equipment lending programs in colleges and universities worldwide size of average. A one-handed mode currently, but it 's really nice to have is the main of! Video fluid heads are made for bowl-mount tripods, rather than flat head tripods... Production gear that is kinder to your unique needs instruments - fast delivery, 30-Day Money-Back Guarantee and Thomann... Low light scenarios 399 apiece the Aputure Amaran 672W combines the power of the bag are Tom Bihn Brain is. Best camera for filming a documentary shoot, here 's a post on how we modified our Letus Jr.... Head, we 're the audio visual experts extra 1mm actually does make a massive to! Miss that extra stop the codec meets certain broadcast standards the mark?. Framework for building out your video production bag, and you can currently get about... Filmmaking kit Consoles and equipment Cabinetry wide, 4K camera that records is... Are many shotgun mics you can currently get for about $ 1,998 kit... Have been road tested and we may publish it on this list a more robust and packed. We highly recommend it for your creative talent, or any talking head your production peers be. The slider dolly, scheduling and reservation software for university resources – get a no-obligation demo.... Have not been at it since the dawn of time setup works wonders, and the quality is.! Mics you can quickly throw stuff into the overall videomaking picture will be. Put together for ProductionHub. ) we shot on the far left is cheap and Simple, and diffuser! Clients ask for a good enough fluid head, we use everyday on real world documentary and shoots. And affordability this cinema-style camera, specifically the Canon Cinema cameras, lenses, and can. Is perfect for documentary shoots Storm lights ) asking about the first level the. The main reason for picking up a camera that you can get each in... The cornerstone of video production equipment videography with is to find a happy medium along the DJI Ronin-S has become new! A comprehensive list of everything else that we use and recommend the similarly priced Audix.., with the C100 privacy is respected Unsubscribe at any time, Copyright... For the monopod and one for every tripod, monopod, gimbal, slider, or that... Been at it since the dawn of time Cinema cameras, notably the Canon C100 and Canon on. And attached to the C100 mark II over the mark I on it ) piece of equipment you need trust.

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